Archive for October, 2011

Interview: Slim Boogie

October 29, 2011 1 comment

Slim Boogie

Half a year ago, I started losing interest in popping. I couldn’t figure out how to develop an interesting style within the confines of traditional popping styles. I started focusing on locking and physical exercise because it seemed more rewarding. But when a friend showed me a clip from Slim Boogie, I felt the same fascination I had when I first saw popping. His smooth flow, animated movements, isolation and hard pops showed me that it is possible to develop a style within popping. I met him in Brixton, England for the UK BBoy CHampionships and was able to interview him for a few minutes.

What are your daily traing goals, and how have these changed over the years?

For me, Ive never taken any Electric Boogaloo classes. I’ve never taken any any classes at all, actually. But my crew and I are very close to the EBs.

So you session with the EBs more than you practice?

Yeah. I practice with them and try to learn as much as possible, and I’m still learning. I think it’s good to learn the style, so we can keep it as popping. If you don’t do that it’s going to lose its edge. It’s gonna be a completely different thing. The way I usually practice… I always practice my hits, my angles, my musicality, but always just trying to be creative.

Try to be open to all styles. Don’t think of training as training, but as fun. Remember that there are always new ways of creating new things. That you always have room to innovate and create; like even with the old man and the walkout, you can create something within that style.

Liquid Metal: what was the greatest obstacle you had to overcome in your training?
Right now I’m working on more freedom in my dance. I used to be really into animation (I still am), but when you practice too much of something like the robot, you lose something. I wouldn’t say you lose the dance, but you lose some aspect of it. It becomes too much of only robotic movements or something like that. So now I’m trying to mix those robotic movements with a free feeling, but still stay isolated and animated. I’m sure that it has been done before, but I haven’t seen too many people do that.

How long have you been popping?
Six years, seven in May next year.

We are standing in front of the building for the UK Bboy Championships. What role does competition and ego play in this dance?

I see these competitions like UK BBoy as something to put on my resumé. Like when you get a Master’s degree from the university. You could be the greatest popper, but if you don’t have it on paper that you won these battles, then people won’t easily recognise that.

If you could only give one piece of advice to beginners, what would it be?
If you have a goal, then stick to that goal. Don’t care what everybody else says. If you don’t have a goal, then find one. I think that just following a goal will make you a better dancer.